1. 23h59mn
Music and sound Recordings (not-cut) of South Africa * (2001)
duration envisaged of the sound diffusion: 23h59mn/Place of diffusion to define
The recordings which were carried out during this residence were used for the manufacture of the sound track of the film "Hallman' S Walk" of Jean-Baptist Decavèle.
RECYCLING TIME WITH MEASURES - TIME ARTIFACT 23h59mn seeks to combine Work and Art by the Sound using Time: 1. To be able of manufacture - 2. Experiment of this manufacture: 1. Immunity - 2. Community: 1. To be able of diffusion - 2. Resonance: 1. 23h59mn of sound - 2. 1mn of breathing: 12,591.25 MB X 2 = 25,182.5 MB RMM project/2006
* invited in residence with Capetown, ZA by Jean-Baptist Decavèle with Boris Belay for creation Video art "Hallman' S Walk" 2001 (Villa médicis Out-the-walls)
2. P.O.N.D.(platform of not-domesticated objects)
beginning of work - January 2006
This numerical platform (without artistic goal, neither economic, nor historical) questions "the visibility" of not-domesticated objects * by a vulgar ** and subjective classification with an aim of poetic research compared to the object as an object of transformation.
P.ON.D. makes a point of accompanying each object, handy or of art, each body or each form of symbolic notation, physics or virtual having a utility or an uselessness of transformation by a ritual being intended him. Finally this platform seeks to study the concept of Western possession or intimate property of the object.
* not-domesticated object: one calls "not-domesticated object " any object relative to a ecophobie (which does not touch with the economy, nor with the daily use) and which is recognized like tool of completely personal ritual or experiment. Well-sure certain objects can have a double utility, at the same time, economic and ecophobic, but this first will not be taken into account in P.O.N.D. or then only in a suggested way.
** vulgar: classification by kind, support, measurement, tool, place, etc. any value of technological and institutional recognition.
3. other research laboratories
Project of writing concerning the "mechanical reproduction right" of musical / sound of research, impromptu or experimental work not indexed or disorder in the organizations of management of the royalties in order to find a legal solution adapted to these practices and without attack to the concept of moral right of the author.
The concepts of "music" and "sound" merge continuously and we want to seek the significance of a reproduction right of the "sound work of research".
Would it be necessary a mechanical reproduction right or "a mechanical spontaneous reproduction right " of sound work on recorded support?
The reproduction right allows the legal recognition of a work and of its author in a commercial context. Within the framework of a not-commercial circulation of work there is not yet a legal system of recognition put aside the deposit of written or recorded works (SACEM, SACD...).
With regard to the "mechanical reproduction rights" of works of research, it is a question of recognizing juridically the author like having right (existing moral right ) but also to recognize and support the circulation of work in order to allow a public visibility without passing by a standardized commercial exploitation.
Study and means: